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Hi podcasters! I want to write this post to help you with some techniques and tricks to make your podcasts sound professional. I have been working in postproduction, film and TV for many years, and I know exactly how to deal with voices. Since podcasts are a very current and booming format, it is important … Read more
A BNC cable is normally used for word clock or digital signals in the recording studio. They are also used for video signals (SDI). These cables work at 75 Ω and it is important to choose quality cables to avoid jitter and signal degradation, especially when used with AD or DA converters. They are perfectly … Read more
Sommer Carbokab is a workhorse in the studio, in addition to having an incredible quality, you can use it for microphones, analog or digital connection, in fact, it is one of the best aes cable that I have tested next to Grimm TPR. Its carbon design and solid core conductor eliminates possible noise and electromagnetics interference … Read more
After working more than 20 years on recording studios I´d like to share my experience and write this post about the important points that will make a mastering work, professional. Many artists try to master their songs but without achieving the desired result. Here are the main 5 reasons you should have in mind to … Read more
Grimm TPR is a great cable for general use in the studio. It´s neutral and accurate, with a nice 3D soundstage. The image is very nice when you listen to an instrument in mono you heard a solid center. I have tried these babies on all my monitors (Lipinski, Amphion, and Geithain) in combination with … Read more
Db25 multicore cables are very common at any studio, a lot of standard audio gear interfaces use them, but maybe you don´t know how to make them. Here a small tutorial if you prefer to build them and save some money. I must say you have to spend some time and work, but it’s not … Read more
Andreas Melcher was kind enough to show me his application. It´s a great online tool where you can calculate all reflections in a room. Paint dimensions of your room, place speaker and listening position, this app will show ray tracing of the room. This amazing tool will help you locating traps and diffusers in suitable … Read more
After the room it´s controlled we will choose the final acoustic, drier or alive. You can add or remove absorbers of the room, never from first reflections points except back wall or ceiling, (if your back wall it´s less than 2m put absorbers) use the rest of the room, back ceiling and rear side walls are good places. Using … Read more
Reverberation time in your studio it´s very important, besides smooth response and free reflections points RT60 should be homogeneous in all bands. If you have a long decay time in the 125hz band and very short on 4khz, for example, you will have an unbalanced response and inaccurate bass response. The picture below shows usual measurements in … Read more
Super chunks traps are very effective in our studio. When it´s needed a great amount of low-frequency absorption in a room we have to put very efficient traps on corners. This usually occurs on smaller rooms. Super chunks or Tri-corners Filling the corners with fiberglass or rock wool (60kg/m3) we will catch more low frequencies. … Read more
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