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After working more than 20 years on recording studios I´d like to share my experience and write this post about the important points that will make a mastering work, professional. Many artists try to master their songs but without achieving the desired result. Here are the main 5 reasons you should have in mind to … Read more
Grimm TPR is a great cable for general use in the studio. It´s neutral and accurate, with a nice 3D soundstage. The image is very nice when you listen to an instrument in mono you heard a solid center. I have tried these babies on all my monitors (Lipinski, Amphion, and Geithain) in combination with … Read more
Db25 multicore cables are very common at any studio, a lot of standard audio gear interfaces use them, but maybe you don´t know how to make them. Here a small tutorial if you prefer to build them and save some money. I must say you have to spend some time and work, but it’s not … Read more
Andreas Melcher was kind enough to show me his application. It´s a great online tool where you can calculate all reflections in a room. Paint dimensions of your room, place speaker and listening position, this app will show ray tracing of the room. This amazing tool will help you locating traps and diffusers in suitable … Read more
After the room it´s controlled we will choose the final acoustic, drier or alive. You can add or remove absorbers of the room, never from first reflections points except back wall or ceiling, (if your back wall it´s less than 2m put absorbers) use the rest of the room, back ceiling and rear side walls are good places. Using … Read more
Reverberation time in your studio it´s very important, besides smooth response and free reflections points RT60 should be homogeneous in all bands. If you have a long decay time in the 125hz band and very short on 4khz, for example, you will have an unbalanced response and inaccurate bass response. The picture below shows usual measurements in … Read more
Super chunks traps are very effective in our studio. When it´s needed a great amount of low-frequency absorption in a room we have to put very efficient traps on corners. This usually occurs on smaller rooms. Super chunks or Tri-corners Filling the corners with fiberglass or rock wool (60kg/m3) we will catch more low frequencies. … Read more
Bass traps treating the low-frequencies are the most important thing in our studio, they blurring the sound creating distortion and coloration. They concentrate on corners and there we must place our bass traps, wall-wall, wall-ceiling or floor-wall. Placing bass traps in all corners will help to improve our bass problems, but the front wall and especially back … Read more
Decoupling monitors are important to avoid sound vibrations from the speakers. If you place your monitors on desktop or mixer this can produce “comb filtering” or coloration of sound. Besides mechanical vibration of the speaker contribute to this phenomenon. Using rigid stands it´s the best option. You have a lot of models in the market. Sound … Read more
First reflection points are direct waves reflected from the walls of your room, sides, front, back, ceiling and floor. They must be treated to avoid the coloration created by the room, with absorption and diffusion.On these points you have to place absorbers and diffusers, and how to locate these points? You can use a small mirror … Read more
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