Mastering Gear Audio
Monitoring
ME Geithain
Lipinski Speakers
Amphion Speakers
Subwoofers SVS
Sound Anchors Stands
Acoustic Reality and ClassDaudio power amps
Crane Song Avocet monitor controller
Processors
Crane Song HEDD 192
Millenia NSEQ 2-Fred Forsell
TF Pro P38ex
Summit DCL200
Charter Oak SCL1
Drawmer 1968ME (NOS Telefunken tubes)
Focusrite Red 2
Telefunken w395a
Focusrite Compounder (modified)
Focusrite Mixmaster (modified)
Art Pro VLA II (NOS Mullard tubes)
Elysia Xpressor
VintageMaker Neumann Summing Mixer v475-2C
SPL Vitalizer MK2-T
Aphex Aural Exciter 204
Converters
Avid Omni HD
Lavryblue 4496
Lynx Aurora
Apogee Rosetta 200
SSL Alpha-Link SX
Weiss AFI1
Rme AES32
Steinberg mr816csx
Mutec MC-3+ Smart Clock
Software
Samplitude X Pro Suite
Logic Pro X
Pro Tools HD
Native Instruments
Spectrasonics
East West
Heavyocity
Toontrack
Sample Logic
Eiosis audio
Sonoris mastering
Sonnox Oxford
PSP Audio
Waves Audio
ProjectSam
Acon Digital
AAS applied acoustics
Dream Audio Tools
Orange Tree Samples
Sound Ideas
Cabling
Acoustic Zen
Mogami
Belden
Gepco
Vovox
Gotham
Grimm Audio
Furutech
Oyaide
Cryoparts
Audio Horizon
Instrumentos
Yamaha CP33
Novation Supernova
Roland JV-1080
Acoustics
RPG Acoustics
Acústica Integral
GIK Acoustics
Primacoustic
Blue Frog Audio
Acoustic engineering by Tim Perry
